Now accepting commissions for 2027 & 2028
Some daysdeserveto be cinema.
Editorial wedding films in Rome, Lake Como, Lake Garda, Tuscany and the Amalfi Coast. Italy & worldwide, a limited number of weddings each season.
Every film is directed, cut and graded by Alessio himself. Nothing is handed to outside editors, nothing follows a template. The filmmakers beside him on the day are people he has chosen and trained, and your film never leaves his hands.
Selected films
Italy and beyond.
We follow the light,
hour by hour.
Before every wedding we study the venue's sun path, then shape the timeline around it. Drag through the day.
Plan the light for your datePortraits, twenty minutes
The light on your wedding day.
Choose where and when. We calculate the sun for that exact place and date, and suggest a timeline built around it.
A starting point, not a rule. On lakes and in valleys the mountains can take the sun a little earlier, so we always confirm the light at your venue in person and shape the final timeline with your planner.
A wedding lasts one day. The film is what stays: the one you watch on your first anniversary, and the one your children will find years from now.
That is why we accept only a few commissions each year. Every film gets the time it deserves: weeks in the edit, music chosen for you, colour graded frame by frame.
If that is what you are looking for, I would love to hear your story.
Alessio De FeliceThree collections.
One way of working.
Every proposal is written for your wedding, and shared personally.
Request the collectionsYour timeline. Our discretion.
We follow your run of show, stay out of the photographer's frame and make sure your name travels with every film.
Tell us where you are getting married.
Begin a private enquiryThe screening room
Editorial in composition, cinematic in feeling. Every film is scored, cut and graded for one couple.
From first call to premiere
A small team, one director, and a process built so that on the day you forget we are there.
Your enquiry
Reply within 24 hoursTell us the date, the place and a little about you. Alessio answers personally, with his availability and our collections.
The film call
45 minutes, videoWe talk about how you want to feel watching your film in twenty years: music, pace, the moments that matter and the ones you would rather leave out.
Your proposal
Within a weekA written proposal for your wedding, in English. Your date is held with a signed agreement and a 30% retainer.
Direction
From eight weeks beforeWe study the venue's light, agree the timeline with your planner and design your editorial portraits: the places, the poses, the twenty minutes that become the frames on your wall.
Premiere
Your private screeningYour film arrives in a private screening room, scored and graded by hand, ready to share with the people who were there.
Choose how much of the story we tell.
Each collection is tailored to your celebration. Our guide is shared personally after your enquiry.
Request the collectionsMade to measure
An extra day
Welcome dinner, rehearsal or the morning after brunch.
Super 8 film
Real film stock, developed and scanned, cut into your edit.
Express edit
Your full film delivered in four weeks.
Complete footage
Every usable frame, graded and archived for you.
Before you ask
How far in advance should we book?
Most of our couples reserve nine to fourteen months ahead. Peak dates on Lake Como and in Tuscany (May, June and September) go first.
Do you travel outside Italy?
Yes. We film across Europe, including the French Riviera, Spain and the Balearic Islands. Travel and accommodation are invoiced at cost, with no mark-up.
Will you work alongside our photographer?
Always. We agree positions and timings with the photographer before the day, so each of us gets the frame without standing in the other's.
Do you fly a drone?
Aerial footage is included where the venue and local regulations allow it. Where they don't, as at some protected villas, we film from the water instead.
How do we receive our film?
Through a private screening page you can share with family and guests, with downloads in full resolution.
A director, a small crew
Born into photography, devoted to film. An editorial eye, trusted by couples from New York to Dublin.
Photography was the family trade, so I grew up behind a camera. But it was film that moved me: the moment an image meets a voice, a piece of music, the sound of the room. That is when a memory stops being a picture and becomes a feeling again.
Today I work with a small team of filmmakers on a limited number of weddings each season, most of them for couples travelling to Italy from the United States, Canada, the UK and Ireland. I direct every wedding, and I cut and grade every film myself, to a colour signature built for skin, silk and Italian light. The filmmakers beside me on the day are people I have chosen and trained.
My style is editorial. I compose every frame the way a fashion magazine would, with intention, light and space, and I guide you through a few moments of quiet direction. Inside those frames, the emotion is always real. That is what I chase at every wedding: not only how the day looked, but how it sounded and how it felt. Our work has been featured in Vogue, Vanity Fair, WedLuxe and Wezoree. What matters more to me is the message a couple sends a year later, after watching their film again.
Alessio De FeliceInvisible on the day
Quiet cameras, no lights in your face, no directing your guests. We ask for twenty minutes of your time, and only when the light is right.
Editorial by nature
Composed like a magazine shoot, cut like a film. Every frame has intention; every edit is scored and graded by hand.
One point of contact
From the first email to the premiere, you speak with Alessio directly.
Your timeline. Our discretion.
We know your name is on the day. Here is how we work so that it stays a good one.
Portrait time, agreed in advance
We plan a short window with you around the sun and the guest schedule, and we never take a minute more.
One director on site
You always know who to talk to. We arrive early, brief with you and the photographer, and follow your run of show.
Fluent with your clients
English-speaking crew, used to American, British and Irish families, and to villas with strict rules.
Credit, always
Every film we publish lists the planner and the key vendors in its credits, on our site and on social media.
Tell us about your next wedding.
We reply to planners the same day.
A private enquiry
Five short questions. Alessio replies personally with his availability for your date and our collections.